Swing era sew-along, and other pattern delights

Last night I bought my first e-pattern - Sense and sensibility's "swing dress" Never being one to do things by halves, I bought a few BurdaStyle e-patterns. Going back to Sense and Sensibility this morning to check on fabric types, I discovered there is a sew-along on this very pattern, happening at this very moment, and is up to about the muslin/fitting stage. I have never done a sew-along before (I figure the stuff I did in Home Ec at school doesn't count) and am gonna give it a go. Could be a lot of fun! At the very least I may get my dress done sooner than I possibly would have otherwise.

The BurdaStyle part of my shopping expedition started with these gorgeous-looking wide-legged trousers in "half-sizes" ie petites, drafted for women 5ft 3" which I happen to be - plus another half-inch that must not be forgotten, that takes me to 5 ft 3-and-a-half inches. (I reckon the extra half-inch is my curly hair so it shouldn't affect the trouser pattern too much!)

I have been wanting to make a dress in a similar style to this one here. 

This Burda pattern is the closest I could find (I am not too fussed on having a collar).

In thin white fabric, with a scarf and loose hair to tangle in the sea breeze along the seashore, as the pattern photo shows, doesn't strike me as much to write home about (I prefer bathers or board-shorts on the beach!) but the one below, one of Burdastyle's members, is pretty much exactly what I want - but maybe in a soft blue instead?

And last but not least, I bought this just because I couldn't resist the pretty dress. Oh dear.

However, I realise I have in my stash a potential fabric. This cotton-lycra woven sateen.

The flowers are quite large, but with judicious placing of pattern on print, and application of lace and trim, maybe it would work...?

Having thus inspired myself, I am now going to sew.

Sewing the history of my life - Brisbane

I wrote this the evening Brisbane was slowly disappearing underwater, but didn't post it, feeling it a bit self-indulgent. But Alex read it and thought it was interesting to see how my dressmaking is an integral part of my personal history. So I figure there is really no harm in posting it, now it is written...

My 22nd year was spent in Brisbane. I lived in Auchenflower and later Toowong, worked in Taringa, shopped in Indooroopilly (Ah, Sckafs, the wonderous Sckafs!). The scars of the 1974 floods were everywhere if you knew what you were seeing. I reckon at least one of the houses I lived in would be underwater today.

All the images, all the names, all the streets and suburbs splashed all over the news has brought memories of my time in Brisbane back so sharply. (I confess, there have been tears).
I was ill, able to work only a few hours a week, and very poor. I had no sewing machine, my wardrobe made up of the few summer clothes I had brought back from Auckland, padded out with the odd op-shop find. Then I got a new flatmate whose prized possession was her grandmother's sewing machine inherited upon her death a year previously. It was one of those old, sturdy workhorses that will still be going when me and my old flatmate are grandmothers ourselves.

With incredibly generousity she let me use it. Suddenly my wardrobe was on the up. That is what I remember of Brisbane! The clothes I sewed. Sadly I have no pictures of them, too poor to take many photos, and the few I have I was wearing op-shop clothes.

But I remember still:
A lovely georgette-with-cotton-lining shirtwaist dress in grey with soft pink flowers, pattern from New Look, fabric from Lincraft.
I had long admired the short-sleeved business suits the girls on the train would wear in summer on their way to work in the CBD. No way I could afford an rtw suit, but with my hands on that sewing machine, a trouser suit in sage green summerweight wool from a clearance fabric store upstairs in Towoong village soon became my prized wardrobe possession. I might have been only working a few hours a week but oh did my 22 yr old self feel so grown up and sophisticated running up and down those stairs at Auchenflower train station!
A few oddly shaped and sewn T-shirts - my first fumbling steps at sewing knits.

One dress needs a special mention. I became very good friends with a woman who lived in Warwick. One visit to her, I found in the local shopping centre, a straight dress of very simple line in white rayon with sprays of purple flowers scattered upon it. (We had a bit of a giggle about going from Brisbane to Warwick to buy clothes - and fabric! The local fabric shop there had some sandwashed silk for $7pm. I bought up big, and still have some of it awaiting the Perfect Pattern.)

Back home in Darwin the next year, (coz you can take the girl out of the Territory but I discovered I couldn't take the Territory out of the girl...) I was able to use mum's machine again, the same one I had learnt on when a kid, as familiar to me as the back of my hand. I needed that machine! My health improving I was starting to be a more healthy weight, growing out of my Queensland clothes, including what had become known as "my Warwick dress". So I simply traced the pattern off it, added a bit at the seams, and made another dress. Then when that wore out, I made another... and another. All 'Warwick dresses'

Years later, my Warwick friend had moved to Brisbane... Lincraft! Need I say more? I couldn't wait till I got home to Darwin to start sewing the gorgeous fabrics I found there. Fortunately I had had the foresight to bring a few patterns with me. The advent of a digital camera in my life means from this time on, I have a lot more photos of me and my clothes.

Blue rayon dress from a vintage pattern from an op-shop in Auckland,, fabric from Lincraft, Carindale QLD.

The grey skirt I made in Brisbane 8 yrs ago (self-drafted pattern) and still wear on my travels south, (Photo taken this Nov in outback Vic.) Fabric from Lincraft, Carindale QLD.

My "poppy dress" from a Burda pattern, fabric from the stash of my friend in Brisbane.

There, in the livingroom of my friend's house, as I crawled about her floor, cutting out the clothes, and sewing on her sturdy old machine, one of the most rewarding things in my entire sewing career happened. My friends daughter, then 15, and already a 'hard core' punk rocker girl (stunning voice! brilliant guitarist) in an up and coming band. Part of her integral Look were op-shop clothes reworked creatively, cut to shape and held together with safety pins. (They were very poor, op-shop clothes were all they could afford. Fortunately punk, springing originally from such poverty or worse, lent itself well to her clothing approach.)
Her mother and I had presumed the safety pins were all part of The Look. Turns out, no, she just didn't know how to sew the new improved-shape seams together again. One afternoon, she brought out a pair of old-man trousers cut down to fit her stunning svelt figure, the sides of the legs held together with safety pins. Sadly the edges were fraying and the pins ripping out.
"Can you help me fix this?"
I could indeed. I ended up teaching her the technical basics of sewing, and spent the next few weeks watching her take what I had taught her and run with it, creating (Or saving one she had made already) garment after garment. Creative, funky, totally unique, thrifty, and completely in harmony with her dynamic personality. I learnt so much from her, as she did from me. Soooo rewarding for us both.

Butterick 4790 (repro 1950's dress, aka "The walkaway dress")

The pre-christmas Spotlight sales had all patterns at half-price. When that happens, I often buy myself a treat of a pattern I love but would never usually buy because I will probably never make it up.
This year's treat was Butterick 4790

Although it was pure indulgence, a closer look at the pattern had me unusually keen to make it up soon. With my hourglass figure, the waist definition appeals, so does the 1950's style (I think I have been watching too many Ms Marple episodes!) And for pattern versatility, cut short it would probably make a nice top (though with a less full "peplum" - the skirt itself is a full circle.)
But the most intriguing bit was realising it is actually a wrap-around dress. I have had only one of those, one I found in an op-shop in my teens, a real 70's leftover in bright green. I loved it. So funky! (But I would have probably said "It was grouse" back then).
This pattern certainly looks like fun.

It requires *gulps* over 4m of fabric, and the edges are worked in double-fold bias trim.  Happily, the after christmas sales at Spotlight revealed a $4 cotton poplin fabric I could just envision in the dress, and a soft lilac bias binding to match.

At first I thought it the full skirt would be far to bulky, and started trying to work out how to cut it down a bit. However, while the fabric was being pre-treated with a wash in the machine I googled for reviews of the pattern. (I always think "I should do this before I buy a pattern, not after!" Spotlight soooo needs a little laptop available for their customers to google for pattern-reviews.)
To my delight there were plenty, and mostly positive. A lot were made up in polkadot fabric which looks fantastic, and very period. I almost went back to Spotlight if I could find some polkadot fabric for myself instead of the poplin, but sadly my bank balance told me not to.
[Edited to add later: Ok, I admit, I did go back for it and happily for my bank balance, sadly for my wardrobe, I simply couldn't find it again.]
For the sake of sheer frivolity, here is a selection. (One day I will work out how to do the formatting on this blog properly.)
From Cheetah Velour

 From Molly and Mango


















From What's she building in there?

 

From the Sew Retro community 

From Master Seam Ripper